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Here's Axel's comment on receiving and playing the guitar:
With finishing the "Blue Deco" Daniel Slaman has proven again his supreme craftmanship and dedication to meet a players demand. From the first moment we discussed the outline and details of my "Blue Deco" he has, as always, shown an open mind to convert a couple of my "crazy" ideas into in incredible beautiful and playable guitar.
Daniel built me a blond ES-250 two years ago and this instrument instantly became my first choice in perfoming and recording.(it let my other Guitars like my Guild Artist Award catch dust as a result).
I was totally satified with this instrument but still had some ideas about a new guitar in the back of my head. I wanted to have an 18 inch, D'Angelico inspired instrument with cutaway, and for a jazzguitar a bit unusual pickup setup: a P90 and Humbucker from Wizzardpickups in England (http://www.wizardpickupsltd.com/ ), together with an old OBL pickup I had lying around for years and a RMC hexaphonic piezo pickup in the bridge to be able to add an acoustic touch and midi option during recording or live performance.
The RMC I bought from Frank Krocker (http://frameworks-guitars.com/), who provided me with a great service in solving some technical details. I wanted an instrument with the focus on a strong amplified sound without it being that loud acoustically.
With playing Bebop I feel that a floating pickup on a mainly acoustic guitar is difficult to cut through a rhythm section and works better for instance in an invironment without or with very soft drums. For these occasions I have my Guild AA anyway and I was really looking for an addition to my existing instrument collection and not a copy of an existing one.Daniel listened to all my ideas very well. I am fortunate that he knows my other instruments and my playing very well. He came up with the design for the "Blue Deco" a couple of weeks later in october 2005. The instrument was finished on May 12th 2006.
To describe the result I can only use superlatives. Allthough the guitar is only a couple of weeks old, it has become my first choice on the gigs I played since then.
Daniel created an instument with a soft, very balanced deep acoustic sound which amplifies really well and funny enough, sounds really acoustic when amplified.
The action and feel of the instrument is like its looks: marvelous and very inspiring. It is so easy to tune and stays in tune also incredibly, every note comes out perfectly all over the fretboard.
The guitar is a "Players Dream" and I am so thankful for knowing Daniel and being able to design an instrument like this. I had a lot of guitars in the past, including a couple of Gibsons and I was so fortunate to be able to play Jim Halls "D'Aquisto" on one occasion. I can only summarize that Daniel Slaman is a true artist and ranks in my opinion among the very best Archtop makers.Axel Hagen, May 2006
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